About My Art

My past work has been based on investigating stories from the personal and collective feminine being. The stories have ranged from that of a stranger in the market who rambled on to me to a researched deity from Chinese history. The forms in my work have been representative of stories that are held and stored by our bodies or the marks that our bodies leave as we meander or force our way through life. Storytelling has been the intended form of inquiry used to create the work and continues to be an integral part of creating the work.
Sales 1, September 2015, A3
Les Salins de Gruissan, September 2015, A3 Gouache, Charcoal and Marker on Paper
Recently my work has become more personal and some images have returned in my visual vocabulary. The horse and crow for example have returned as a metaphorical representation of different relationships. In my work I am exploring the connections formed and shaped by the marks we leave on our environment and vice-versa. It would seem that everything we do and say leaves a mark on our environment whether it be social, emotional or physical and that mark is recorded. Some find the marks to be scary, manipulative, powerful and of course sometimes mundane but no less important. The assumptions we make about the marks can tell of our own character and experience. Our fears, our remorse, our desire, our anger, our complacency to change is present in the marks we leave and they are intended to be read, felt and encountered. The marks we leave tell a story that is left up to ones interpretation such a simple sign in a nearby étang marking a boundary that I pass routinely.Les-Salins-III-mixed-media-on-Paper-A2-2015 My intention is to continue to explore a deeper collaborative connection as to how one engages with spatial memory. The feminine aspect is continues to be import in my work and remains present as the objects and places are from personal memory. I have documented, photographed and sketched the hikes and bike routes I routinely take in my private life. A life that is unknown to most of my colleagues, as today’s world almost seems to demand a separation of private and work life. It seems a complex issue as to where the boundaries are in the artist teacher`s academic life, work life, artistic life and personal life. The images I work with now consist of spaces that I have taken for granted and now intend to explore. My past work lead Judith Hunter (2014) to question if my work is illustrating the possibility

that identity takes a composite form and is made manifest from our individual, agentive encounters with the world and our relationship with cultural and environmental influences, our “extended selves” (Bruner 1996).

Although the images in my new work appear to be landscape oriented there is always a human element present and the slightest element of human presence begins to tell a story. The ending is intended for the viewer to make or restory. I intend to give the viewer only enough clues to make up their own narrative. These new

storyworld experiences (can) satisfy an ache that wells up over the dry days, months, and years of schooling. Inside the deep well of imagination, loosed to create and explore new landscapes, children find what they need. Cultivating playfulness, imaginating with a story, nourishes abilities to re-create” (Kuyvenhoven, 2009, pg. 143).

I intend to create work that engages others to participate in such a collaborative storytelling. I have been and intend to continue using mixed media with materials such as charcoal, photography, collage, newspaper, paints of different types and more.  
The figures in my work         Picture The figures in the paintings are moving – telling their stories with movements - whispering their noise aloud. Some are stories of women I am very close to and some are of women I only meet for a few brief moments. The movements in the paintings are Effeminate. Although the story is influenced by one woman’s history of movements, she is the collective woman.
Picture      The mark in my work We are all lovers, mothers, warriors, martyrs, bearers, healers, and dreamers. In everything we do and say we leave a mark on our environment (social, emotional, physical, etc...) and that mark is recorded. Marks are scary, manipulative, powerful and of course mundane. The assumptions we make in this world tell of our character. With our words and movements we expose ourselves and mark others as well as our environment. Our fears, our remorse, our desire, our anger, our complacency to Change is all there to read/feel/encounter in the marks we leave, in the stories we tell. If you look at the signature you trail what does it say?
 

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Reflections of an Artist Teacher